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Thomas Cole
1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.

 

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Thomas Cole View of Florence from San Miniato oil painting

Painting ID::  9926

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Thomas Cole
View of Florence from San Miniato
1837Oil on canvas Cleveland Museum of Art, Ohio
   
   
     

 

 

Thomas Cole View on the Catskill  Early Autumn oil painting

Painting ID::  9927

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Thomas Cole
View on the Catskill Early Autumn
Oil on canvas; Metropolitan Museum of Art, New York City
   
   
     

 

 

Thomas Cole Sunset of the Arno oil painting

Painting ID::  9928

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Thomas Cole
Sunset of the Arno
1837 Oil on canvas
   
   
     

 

 

Thomas Cole Schroon Mountain oil painting

Painting ID::  9929

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Thomas Cole
Schroon Mountain
Adirondacks,Essex County, New York after a Storm1838; Oil on canvas; Cleveland Museum of Art, Ohio
   
   
     

 

 

Thomas Cole Departure oil painting

Painting ID::  9930

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Thomas Cole
Departure
1838; Oil on canvas; Corcoran Gallery of Art,Washington
   
   
     

 

 

Thomas Cole The Return oil painting

Painting ID::  9931

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Thomas Cole
The Return
1838 Oil on canvas; Corcoran Gallery of Art,Washington
   
   
     

 

 

Thomas Cole The Past oil painting

Painting ID::  9932

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Thomas Cole
The Past
1838; Oil on canvas; Mead Art Museum Amherst College, Massachusetts
   
   
     

 

 

Thomas Cole The Present oil painting

Painting ID::  9933

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Thomas Cole
The Present
1838 Oil on canvas; Mead Art Museum Amherst College, Massachusetts
   
   
     

 

 

Thomas Cole Sketch for Dream of Arcadia oil painting

Painting ID::  9934

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Thomas Cole
Sketch for Dream of Arcadia
Oil on paper, laid down on canvas
   
   
     

 

 

Thomas Cole Dream of Arcadia oil painting

Painting ID::  9935

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Thomas Cole
Dream of Arcadia
1838Oil on canvas Denver Art Museum Colorado
   
   
     

 

 

Thomas Cole Schroon Lake oil painting

Painting ID::  9936

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Thomas Cole
Schroon Lake
1838 Oil on canvas; 34 x 46 in.
   
   
     

 

 

Thomas Cole Portage Falls on the Genesee oil painting

Painting ID::  9937

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Thomas Cole
Portage Falls on the Genesee
1839 Oil on canvas; Historic Seward House,Auburn,NY
   
   
     

 

 

Thomas Cole The Notch of the White Mountains oil painting

Painting ID::  9938

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Thomas Cole
The Notch of the White Mountains
1839Oil on canvas National Gallery of Art, Washington
   
   
     

 

 

Thomas Cole The Voyage of Life Childhood oil painting

Painting ID::  9939

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Thomas Cole
The Voyage of Life Childhood
1839-40 Oil on canvas; Munson-Williams- Proctor Institute, Utica, New York
   
   
     

 

 

Thomas Cole Voyage of Life Manhood oil painting

Painting ID::  9940

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Thomas Cole
Voyage of Life Manhood
1840 Oil on canvas; Munson-Williams -Proctor Institute Utica, New York
   
   
     

 

 

Thomas Cole Voyage of Life Old Age oil painting

Painting ID::  9941

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Thomas Cole
Voyage of Life Old Age
1840; Oil on canvas Munson-Williams -Proctor Institute Utica, New York
   
   
     

 

 

Thomas Cole Architect s Dream oil painting

Painting ID::  9942

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Thomas Cole
Architect s Dream
1840 Oil on canvas Toledo Museum of Art, Ohio
   
   
     

 

 

Thomas Cole The Gardens of Van Rensselaer Manor House oil painting

Painting ID::  9943

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Thomas Cole
The Gardens of Van Rensselaer Manor House
1840Oil on canvas Albany Institute of History and Art, New York
   
   
     

 

 

Thomas Cole Valley of the Vaucluse oil painting

Painting ID::  9944

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Thomas Cole
Valley of the Vaucluse
1841Oil on canvas Metropolitan Museum of Art, New York City
   
   
     

 

 

Thomas Cole Van Rensselaer Manor House oil painting

Painting ID::  9945

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Thomas Cole
Van Rensselaer Manor House
1841Oil on canvas Albany Institute of History and Art,NY
   
   
     

 

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Thomas Cole
1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.